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BAUHAUS Kolleg 12.08-13.08.2002
BAUHAUS - KOLLEG
Gropiusallee 38
D-Dessau
GERMANY
http://www.bauhaus-dessau.de
LAB[au]
laboratory for architecture and urbanismManuel Abendroth,
Jérôme Decock
Carl De Smet
Alexandre Plennevaux
lab|au| invited for the ongoing Bauhaus Kolleg _ Serve City / Dot.City and the dance workshop 2002, The Bauhaus Kolleg is an international and interdisciplinary postgraduate program at the Bauhaus Dessau Gropiusallee 38, Dessau Germany and organised by the Bauhaus foundation
.......................................................................... la.bau at BAU.haus ...*-]
...> http://www.bauhaus-dessau.de
...> about the Kolleg ' serve city / dot city'
...> about the dance workshop
...> about the Bauhaus foundation
dot.city by lab|auThe Bauhaus Kolleg is the postgraduate program of the Bauhaus Dessau Foundation. It is not a conventional class room situation but offers the fusion of design oriented analyses with analytic design in the work process of a project. It is expected that the participants are ready to incorporate into the work process as well as reflect their prior professional experience to cooperate intensively in an international and interdisciplinary team setting to develop inside positions and solutions with that team and to present and discuss them publicly.
|| The Kolleg is a learning and design laboratory that includes the experience of living and working in the Bauhaus. || The purpose the Bauhaus Kolleg is to experience, define, invent and design urban space in its all-round complexity and divergent details. In the Kolleg year 2002/2003 attention is focused on mobile communication media, the internet (ICT - Information and Communication Technology) and their interfaces in an urban context. || Since the beginning of the 1990s these communication technologies and methods have experienced tremendous dynamic growth. || Their increasing worldwide proliferation and interconnection has far-reaching consequences for almost all areas of life, but especially for the economy and urbanity. || Whereas implications for an economy, which is becoming increasingly globalised, have long been studied and discussed, similar undertakings regarding the consequences for urban space are still in their infancy. || In the past few years the discourse was above all dominated by ideals and fears. || On the one hand mobile communication and the internet were seen as paving the way for the reactivation of lost urban values, and also for developing totally new forms of urban living.|| On the other hand they were defined as instruments, which result in the final downfall of urban life. || Beyond futurologist hypes and apocalyptic phobias, it is only recently that studies have been drawn up which make the complex changes for urban space a subject of discussion on an empirical basis. || It is evident that there is an interweaving of real worlds and virtual worlds and that they change the materiality, infrastructure and societal, political and social fabric of cities. || But how exactly do these changes take place? || Is it true that existing forms of communication are becoming less important? || Or is the opposite true and are they being upgraded? || What shifts in the structure of urban spaces or mobility does this cause? || Does their transnational character in cities and peripheral locations create new forms of social, political and societal inclusion and exclusion? || Is this connected with reterritorialisation trends in urban spaces? || Or is the old city and with it urbanity, completely losing its position, and its importance, to virtual worlds? || The spatial changes are particularly evident at the interfaces, which represent a way of selectively affecting urban space. || In this respect the aim is on the one hand to analyse the changed character of places and events at interfaces in an urban context, and on the other hand to treat them as a new, hyper-complex creative task. || The central question here is which forms of public life develop, disappear, move or become stronger in this new context and how do they change the structure and shape of urban spaces? || Last but not least this poses an old question again: "How can architects, artists and scientists react adequately to this process of change in their occupational fields and how can they make this a basis for their planning, design and research work?"
*** text from the bauhaus www.site
The Bauhaus Theatre is a representation space on the Bauhaus premises, a venue for various events, guest performances and, in future, experimental theatre. || In no way can it be described as an ordinary theatre. In character it is rather like a laboratory or project theatre, whose productions (including more and more house productions featuring special guests) reflect both a critical appraisal of the history of the Bauhaus Theatre and current experimental trends in the performing arts. || The work carried out in and with the theatre is based on the annual topics addressed by the Bauhaus Dessau Foundation and deals with the tense relationship between body, space and media that constitutes the essential quality of the Bauhaus Theatre. || It concerns the relationships between people and space, the relationship between space provided for theatre and urban space and the concept of the theatricality of the city. People have changed the way they live and work. Hence there is a need to think about whether the stage is still adequate as a venue for theatrical work in modern society. || What roles do new and different venues play? The concept of the theatricality of the city incorporates the effect of the media and advertising. The question arises of a new role for theatre. An earnest search in this respect will be accompanied by the conscious interlinking of the performing arts with the new media. Thus, workshops on individual thematic aspects and different media will be held on the stage with the performing arts alongside. || The experimental theatre workshop for performing artists and those from other disciplines, which lasts for several weeks, will be staged at the changeover point between two annual topics, thus creating a playful bridge between the two topics. The aim is not to create a finished "stage production", but rather to put together staged sketches, which can be used again in other events on the annual theme with the help of multimedia documentation. || Festival culture plays a key role on account of its significance for the establishment of identity. The autumn Bauhaus Festivals, in which the influence of the historical Bauhaus Festivals is still readily apparent, were reintroduced in 1996 and ever since then they have played a crucial role in the integration of experimental projects at the point where the performing arts and the fine arts meet. || The festivals have also been important in helping a regional audience to identify with the "Starship Bauhaus".
*** text from the bauhaus www.site
THE FOUNDATION BAUHAUS DESSAU TODAY ||
The Bauhaus, founded in Weimar 1919 by Walter Gropius, was Germany's most famous and most avant-garde art and design school. || The Bauhaus Building in Dessau was constructed based on designs by Walter Gropius in 1925/26 when the political situation in Weimar forced the school to move to Dessau. || It was this building's architecture as well as the Bauhaus' significance for architecture and design in the 20th century that motivated the UNESCO to add the Bauhaus Building and the Master Houses close by to their World Heritage List in December 1996. || Today's Bauhaus Dessau Foundation was founded in 1994 and is a public institution, supported by the Land of Saxony Anhalt, the Federal Republic of Germany and the Town of Dessau. || The statutes name two goals: To preserve and convey the historic heritage of the Bauhaus as well as to make it accessible to the public, and, in view of the historic Bauhaus' ideas and approaches to contribute to solving the problems of design for living in today's environment. || More than just a school or a museum, the institution is a place for design, teaching and research, focusing on issues related to the city and to urbanity in the broadest sense of the world. || Exhibitions and conferences add to the inspiring atmosphere at today's Bauhaus as well as performances on the Bauhaus stage and a variety of other events.
*** text from the bauhaus www.site
© LAB[au] 2002