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the
last supper _ Panama club Amsterdam 17.nov
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exp masters LAB[au] laboratory for architecture and urbanism Manuel Abendroth [ERZATZ]
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.....> about the PANAMA .....>
about spa[z]e .....>
about [ERZATZ]
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Three months of work result in a 12 hour festival of sound, design, image, light, fashion, food and booze, an exhibition and a magazine. The first Exp.Masters will be about The Last Supper. It takes place on November 17th, 2002 at Amster-dam’s theatre – nightclub – restaurant Panama. Every three months
Exp. organi-zes a 12 hour festival where all contributing artists show
their masterpiece in a cross over event of art, design, photography,
film, fashion, literature, performances, food, booze and music.
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The Exp.Masters event and exhibition will take place at Panama. Theatre – nightclub
– restaurant Panama is one of the most trendy hot spots located
at the eastern harbourside in Amsterdam The whole building
will be used for the Exp.Masters event. |
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sPACE, navigable music http://www.lab-au.com/space |
Each element thus turns into a theme itself where the codes of e.space turn into the narrative and visual content. Covering successively the 6 screens of the spa[z]e 360° installation - the projection space will also lead to a successively immersion into the panoramic 360° space. The construct[ion]
of the sonic and visual environment is a long traveling, a voyage through
time and space. PROJECT TEAM: The [SPAZE], music is based on collaboration between lab[au] and different electronic musicians, influenced by electro / d n' b / IDM and brain music, who composes specific sonic-spaces, navigable music. Based on the space, navigable music project ...> the collaborations focus on the exploration of musical patterns in and through e.space and relates them to image sequencing in order to create an immersive sonic and visual environment. The composing of music through navigation in e.space and the spatialization of music through the quadraphonic sound system thus constitutes a performative sonic space, which the musicians creates each time live through their navigation. It thus relates, synchronies, space to music and cinematic techniques dealing not only with new ways how to compose, share, perform and diffuse music through electronic space but also questions the construct of music and space itself .....> ..'space_music' The exploration
of 'space-music' has its origins in the experimental work of electronic
music since the fifties, where musicians like Varèse, Stockhausen,
Xenakis… not only has explored audio visualization and spatialization
systems in order to relate the logics of space to the one of imaging
and music but also to link it to computation technologies, synthesized
and programmed music. The Spa[z]e music compositions thus relates the
logics of inFORMation processes, computation > communication (networking)
and editing (recording) to the one of space and music building up an
immersive space of frenetic sounds; a navigation through the digital
matrix … enjoy
A sonic quadraphonic specialization system and 6 projection screens disposed in a square proposing a panoramic (360°) perception rendered in real time, immerging the public in the 3D visual and sonic environment of spa[z]e music. In the center of the disposal the musician's place, edit and mix live images and sound in and through the navigation in the e.space. The public follows the navigation of the musicians and share the rendered music as the sensation of movement and speed in the non gravity e.space of the sPACE,navigable music project. In this manner spa[z]e 360° propose a spatial immersion in the e.space than in the one of projection and sounds.
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As a composer of electronic music and webdesigner, [erzatz] has a very organic connection with the technologies of today. Inspite of this technological aspect, his music is feeded with human emotions and feelings. On the one hand you have the sweet - ironic tales, inspired by his own love story (stories ?), and on the other hand you have strong dance compositions ,inspired by the epigoni of punk rock and grunge . These tracks are marked by "absolute" rythms and by an amazing know how of breakbeats (as we know them of electro funk , drum ‘n bass and braindance). [erzatz] is eclectic but open to the public, and nobody can resist his smiling face. Very soon [erzatz] has his own afficionados. They visit his site ( www.erzatz.org ), his Hotline server, and they listen to his radioprogram "zoundblender" (each thursday evening on Fm Bssl 106.5).
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© LAB[au] 2002 |
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