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LAB[au] MEETS HELL' ZO // ZEKE BAZAAR EXHIBITION _ 29.06.03


HELL' ZO

RECYLART
http://www.recyclart.be


LAB[au]
laboratory for architecture and urbanism

M. Abendroth, J.Decock

A. Plennevaux, P.Heremans

http://www.lab-au.com

[ HALOSINUS ]
[ ERZATZ ] + [ Deacoy ] + [ Halofaust ]
http://www.erzatz.org



.. LAB[au] + [ HALOSINUS ] live

.. 29.06.20023 _ FROM 15:00 - 23:00
.. Recyclart _ [ BXL ]

.. in the context of:

.. ZEKE BAZAAR!! BRUIXELLES?? _ 23.06 > 29.06.2003
.. exhibition, party & sunday afternoon

.. on the program:

.. 23.06.-29.06.2003 _ EXHIBITION [ see above ... > < ]

.. 27-06-03 _ PARTY

.. NeoTrashExpressionistElectroPunkSpeedMetalCore party
.. Live:
.. BOGUSMAN, JOSHUA, FRAKTAL, KEYRO, Pi.RO, MAMMOUTT, BSFCK, BUZZWORKER,
.. THE ZOOPHILSs

.. dj's:
.. HELL-ZO, D-GI-jOHN, Dj Caca (Toilettes) all night
.. Visuals: SK2, Ob//srv, F..K ALIGATOR GRAFIK

.. 29.06.2003 _ PROJECTIONS

.. SPA[Z]E MUSIC: LAB[au] + HALOSINUS _ 15:00-23:00
.. [ see above ... > < ]

.. projections:
.. Ben Vanbremeersch, Fred Favre, Nicolas Augé, Laurent Debraz, Ob/srv, F.K. Aligator graphik
..
...dj uriel - on la plage/ het strand/ the beach
.. + stationsorkestre de la gare
.. + swimming pool - cool for kids
.. bring yr swimming trunx!

the book

 

about the exhibition > // < book

Exhibition including:
paintings _ serigraphies _ illustrations _ posters _ videos

Elzo-Aurlie _ Henquin-Max _ Tingelcamp-Laurent _ Bebraz-Sylvian _ LAB[au] ...and many otherz

+ Presentation of the book: ZEKE BAZAR !!! including dp by LAB[au] ................... .[ see above ]

 

SPA[Z]E 360° || SPA[Z]E MUSIC


 

sPACE, navigable music:

sPACE, Navigable Music’ is an on-line project investigating the impact of IC technologies and particularly, 3D Real Time modeling languages (such as VRML) in the construct of space. According to the objectives of LAB[au] the project constitutes as much a space for theoretical research as a space of experimentation on the forms of spatial, visual and sonic interactions in networked environments. The project thus explores the setting of hyper media environments and electronic space combining architecture, music and cinema through users interactions – navigation within the digital matrix in order to build up connectivity.

In sPACE, navigable music, the space is generated in real time according to the position and movements of the user in this e.space ( > mix color, > mix image, > mix sound). Operating on the spatial (x,y,z), temporal (t-movements) and sonic (frequency, pitch) parameters, each interaction by the user, navigation, transforms the visual and sonic space. In addition, the recording of movements allows each user to produce a traveling according to cinematic techniques, camera movements and image sequencing - montage. The established relation between the spatial, visual and sonic formalization processes and the editable interactivity of users lead to an experience combining architecture, music and cinematic techniques through movement patterns. The ‘Navigable Music’ thus constitutes a space, in which the user experiments cyber space by dropping sounds into space, mixing music throughout space and navigation, record its movements to produce an animation, a kinetic music clip, a sharable sonic space.

for the online version: http://www.lab-au.com/space

 

spa[z]e music
 


spa[z]e music:

P R O J E C T - T E A M:
lab[au]:_ M.Abendroth, J.Decock, A.Plennevaux
+
[ERZATZ]:_ sinusjog

The [SPAZE], music is based on collaboration between lab[au] and different electronic musicians, influenced by electro / d n' b / IDM and brain music, who composes specific sonic-spaces, navigable music. Based on the space, navigable music project the collaborations focus on the exploration of musical patterns in and through e.space and relates them to image sequencing in order to create an immersive sonic and visual environment. The composing of music through navigation in e.space and the spatialization of music through the quadraphonic sound system thus constitutes a performative sonic space, which the musicians creates each time live through their navigation. It thus relates, synchronies, space to music and cinematic techniques dealing not only with new ways how to compose, share, perform and diffuse music through electronic space but also questions the construct of music and space itself _ 'space_music'.

 

performance_pics


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[ ERZATZ ] + LAB[au]
go.to lab.file



[ ERZATZ ]:


_ As first musician to collaborate with lab[au] for the sPACE, navigable music 'online project' [ ERZATZ ] has developped a large 'set' of spa[z]e compositions and is also the main responsible for what is to be heard in the multi-user space which is presented as an installation during the electronic.sPACE event........

As a composer of electronic music and webdesigner, [erzatz] has a very organic connection with the technologies of today. Inspite of this technological aspect, his music is feeded with human emotions and feelings. On the one hand you have the sweet - ironic tales, inspired by his own love story (stories ?), and on the other hand you have strong dance compositions ,inspired by the epigoni of punk rock and grunge . These tracks are marked by "absolute" rythms and by an amazing know how of breakbeats (as we know them of electro funk , drum ‘n bass and braindance). [erzatz] is eclectic but open to the public, and nobody can resist his smiling face. Very soon [erzatz] has his own afficionados. They visit his site ( www.erzatz.org ), his Hotline server, and they listen to his radioprogram "zoundblender" (each thursday evening on Fm Bssl 106.5).

http://www.erzatz.org

LAB[au]:

_…Founded in 1995 LAB[au], laboratory for architecture and urbanism, links theoretical research LAB[a+u] to concrete works of conception and productions, LA.BAU. The different sectors of LAB[au] present the broad range of activities where the 0.1lab label stands for a work on the World Wide Web as a vector for the creation of a new working environment as well as the base for a new matrix of social interaction and collective space; LAB[au]+ for the creation of a collaborative agency examining these transformations within various disciplines.

According to this method LAB[au] elaborates a 'metadesign' investigating the implications of new communication and computation technologies within spatio-temporal structures and their multiple forms of representation, such as information architecture, architecture, urbanism…

The transposition of inFORMation processes, transmission and computation, in textual, graphical bi-dimensional, three-dimensional and biomorphic (auto-generative; n-dimensional) forms explores new constructs proper to the electronic medium and outlines the spatial and semantic mutation provoked by technologies on the perception and conception of our environment. ‘Metadesign’ thus can be understood as a technology determinism that constitutes the main vector/thought in the concern of networked, information-based societies.

Official website: http://www.lab-au.com

 

© LAB[au] 2003