LAB[au]
laboratory
for architecture and urbanism
Manuel Abendroth
Jérôme Decock
Alexandre Plennevaux
Els Vermang
http://www.lab-au.com
tilt 2004 website
http://www.tilt-festival.org
enjeux
website
http://www.lab-au.com/enjeux
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...Lab[au]
+ Res Publica invited by:
.. the Tilt Festival 2004
...le festival Rock & Multimédia
à
...El Mediator - Perpignan [F]
.
._ 30.01.2004 at
9:00 PM
...to present :
...en 3+4 jeu x
4 _ the interactive dance performance
..
...about
tilt festival ...>
...about
en3+4jeux4 ...>
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Tilt
Festival explore les pratiques artistiques populaires de ce début
de siècle. Musiques et multimédia, interactivité
et numérisation, les nouvelles technologies sont de en plus accessibles
et bousculent les frontières entre l’artiste et l’amateur.
Tilt Festival se veut le reflet de ce bouillonnement, de ces imaginaires
portés tout au long de l’année par El Mediator Perpignan.
À travers le Tilt Festival, nous essayons d'anticiper ce que
deviendront les nouveaux modes de consommation et de production culturelle
dans les années à venir.
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The interactive dance + theatre performance En 3+4 jeu x 3 is the result
of the collaboration in between the French dance-company Res Publica
and the Belgian Laboratorium for Architecture and Urbanism _ LAB[au].
As a homage to Nicolas
Schöffer’s first cybernetic interactive performance KYLDEX
1 in 1973 in the Hamburg Opera, here the public interactions also influence
the spatial and temporal structures of the stage.
A time, given at the beginning of the show, initializes a countdown.
What will happen in the given time-span, will be the result of the audience's
intervention on the scenic setting of the performance via a multimedia
interface, projected on the back of the scene and from which the options
chosen by the audience will take shape.
Like a combinatory game, this space of projection and interaction, of
3+4X3 sequences, examines the relations between scene/space - where,
actor/audience - who, and play/representation - what. In this manner
the scene, the actors’ performance, the music and the interface
constitute successively a language defining the performance as a trace
to be negotiated with the public. Inspired by the work of Oskar Schlemmer
the reduction to an elementary scenic language based on its very codes
explores representation yet according to the introduction of real time
interactivity, an inter-relation between the public and the actors.
In this manner each representation constitutes a specific event questioning
the modalities of a medium through a hypertextual device.
http://www.lab-au.com/enjeux
Concept: Res Publica,
LAB[au]
Realisation: Interface: LAB[au]
Choreography: Wolf Ka
Sounddesign: Nils Mechin
Dancers / Actors: Maria Donata D’Urso
Bui Quan Nyug
Fabrizio Pazzaglia
Fréderic Pertuiset
Stage-assistant : Ennio Sammarco
Co-production: Mains d’Oevres ( Saint Denis )
Support: Ministry for Culture and Communication, CNC/dicream ( France
)
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