Frames from the animation

The phenomena of ‘white noise’ is explained as the overlapping of all frequencies forming a constant noise, in aim to build up an open programmatic field – a data space, absorbing and diffusing the total spectrum of information – all what could be the most urban. The project is thoroughly designed out of complementary processes of combination and superposition merging the specific social matrix of the city with the new condition of urbanity. The conversion of traditional planning concepts into spatio-temporal considerations such as frequencies, time layers, sequences, ambiences, rhythm, suit, flows, fields, textures…according to the new urban phenomena as a less physical than mediated situation.

Following an interest in the representation of virtual space, the model of the city rendered in the movie is overlaid with film sequences mapped on virtual layers. They suggest various ambiences along the entire axis in this space-time context. The different ambiences are rendered with sound band which are overlaid, their superposition illustrates the concept of white noise.