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![tonerchromeS, LAb[au], Manuel Abendroth](https://static.wixstatic.com/media/fb1d51_4268f6c81d3b4f6ca16655c209ab8235~mv2.jpg/v1/fit/w_2330,h_2146,q_90/fb1d51_4268f6c81d3b4f6ca16655c209ab8235~mv2.webp)
![tonerchromeS, LAb[au], Manuel Abendroth](https://static.wixstatic.com/media/fb1d51_43f4b113de0c4de286bbf2bce20c13df~mv2.jpg/v1/fit/w_2415,h_2225,q_90/fb1d51_43f4b113de0c4de286bbf2bce20c13df~mv2.webp)
![tonerchromeS, LAb[au]](https://static.wixstatic.com/media/fb1d51_b4fcfdb97d6c46d1af62173f0ea8d7f2~mv2.jpg/v1/fit/w_1655,h_2025,q_90/fb1d51_b4fcfdb97d6c46d1af62173f0ea8d7f2~mv2.webp)
tonerchromeS resolution: 6x4 grid of A4
4x4 grid of A4 , 4x1 line of A4
24 unique photocopies form a single monochrome. Each has been created copying daylight over and over until the heavily inked paper accumulates marks left by the machine's toner. It's painting with light, that turns into deep darkness, and where the intention balance with the accident.
![tonerchromeS, LAb[au]](https://static.wixstatic.com/media/fb1d51_c6b4b5747d684f50b314d28d37b32e64~mv2.jpg/v1/fit/w_2152,h_1769,q_90/fb1d51_c6b4b5747d684f50b314d28d37b32e64~mv2.webp)
2022 / 23 - Zeit Zeichen Zeichen Zeit, Kunstmuseum, Heidenheim
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Private Collections Brussels
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