The geometries of the origami series are based on tessellation, a surface comprised of regular (one shape) and semi-regular (several shapes) tiles, filling the surface and defining the overall shape of the artwork. Most of the ‘origami’s’ present an ‘irregular’ contour following the tessellation pattern; these are defined as ‘freeform’, compared to those contained in a rectangular form. The geometric patterns are based on at least two geometries: a positive, derived from the tessellation and corresponding to the unfolded state of a tile, and a ‘negative’ shape, resulting from its folding. The amount of positive/negative geometries, the tiles resolution, is displayed in the artwork title. The backside of the tiles is coloured, rendering its colour ‘indirectly’ visible due to its reflection on the white surface. The coloured side of the tiles becomes ‘directly’ visible due to the folding. As such, colour underlines the tiles’ motion and reinforces the alternation of positive and negative shapes. The motion of the tiles follows a pseudo-random logic. The permutation of the tiles’ state and their motion, complements the strict geometric order and colour logic, constituting a play between ‘positive’ and ‘negative’ geometries, ‘direct’ and ‘indirect’ colours and two and three dimensional shapes.