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2024

Stadtbibliothek Heidenheim, Germany

LAb[au], Manuel Abendroth, Jérôme Decock based on a project developed with Els Vermang in 2019

custom tailored electronics and display, alumiunum case, lexan diffuser

310x60cm

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format
The artwork is an edition of 3, built for outside use
credits
special thanks to:
Marco Hompes, director of the Kunstmuseum Heidenheim
Thomas Jentsch, Stadtbibliothek Heidenheim
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absract

The installation is a light sign of eight letters, centrally situated in the entrance hall of the Heidenheim’s public library in Germany, and visible through the entrance windows from the public space, day and night. The words displayed are depending on a process that randomly generates one letter after another, and simultaneously checks the existence of their respective combinations in a dictionary. If not existing, the process restarts from scratch until a word is found. The average time needed to generate an eight letter word is around four hours, theoretically between one second and infinity. This writing process replaces the traditional narrative with a logical system leading to a playful approach on the edge of sense and nonsense. The work inscribes itself in the tradition of concrete poetry, pointing to an agnostic vision that involves the viewer’s interpretation and associations.

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text

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history

before its aquisation the work has been shown in: 


2021 --- X, group show

              Frac des Pays de la Loire, curatorship Claude Closky


since then the edition two is shown:


2024 --- writing, painting, calculating, transcoding, solo-show

              DAN Galeria, Sao Paulo 

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permanent artworks indoor by : LABORATORY FOR ART AND URBANSIM - art and language - art and architecture - conceptual art - concrete art - kinetic art - digital art

LAb[au] is working on the relationship between: architecture & art - language & art, at the crossing of conceptual, concrete, and digital art.

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