Painted in superblack, the monochrome conceals its tessellated surface from a distance, as if attempting to hide its underlying structure even from close inspection.

This series combines the tessellation of regular geometries with combinatorial logic - their folding and unfolding both complemented with colors. Based on scripts, the emerging patterns combine the shape logic with chance.

The play on primary colours and the geometric constellations give the artwork a 'neo-plasticist' character, whereas its programmed logic combines serendipity with simplicity, and order with randomness.

These printouts notate the oscillations of the installation 'binary Waves'. Their motion patterns act both as a compositional tool and as an overall conceptual image.

The mechanical motion of these customised displays creates a clapping sound. Their generative rhythm becomes visible due to the shifting white squares recalling the legendary drum machine 808 with its programmable drum patterns.

Each relief is a unique permutation drawn from an infinite plane of possibilities. Its geometries are a vocabulary, their combinations are syntax, through which randomness becomes a form of order.

The elementary vocabulary of these kinetic mosaics and their architectural characteristics position them within the tradition of Concrete Art whereas their programmed logic adds infinite variation-evolution.

These notations define the movement of the kinetic installation framework f5x5x5, translating movement into a geometric motif.

This series of prints is based on a visual progression from white to black. Following written rules these grids are successively filled establishing a dialogue between semantics, logic, and aesthetics.